“Kald Drikke” figure © 2004 Carl Johnson “Kald Drikke” figure © 2004 Carl Johnson

Gold Medal In: Woodworking, 2005

  • Life Dates Born 1935, New York City, New York
  • Occupation Retired Engineer
  • Residence at Time of Award Colts Neck, New Jersey

Ribbons

  • 2003 White ribbon for an acanthus-carved ale bowl
  • 2004 Red ribbon for “Kald Drikke” figure
  • 2004 White ribbon for “Jitterbug Gnomes” figure
  • 2005 Red ribbon for “Dancers” figure
  • 2005 Red ribbon for “Theft of ‘The Scream’” figure

Artist Statement

How did you get involved in your field of Norwegian Folk Art?

I got involved in woodcarving when I met wood carvers at my Sons of Norway, Noreg lodge 3-466. I had carved a little before, but these men showed me the tools I needed and how to buy them. They also gave me the initial direction I needed to learn how to carve in the Scandinavian Style.

Does Norwegian folk art speak to your identity?

My father was born in Sweden. My wife’s father was born in Norway and her mother’s parents in Finland. My father was a carpenter and builder and, as such, I grew up around wood and machines. My wife’s father was also a carpenter and a Norwegian wooden-boat builder. My mother’s side had the artists in the family. Our families always celebrated our Scandinavian heritage. I suspect that my heritage and background had influence on my becoming a woodcarver in the Scandinavian style.

Who or what has influenced your art the most?

While woodcarving at my Sons of Norway lodge, I learned of two famous woodcarvers who could teach me the skills that I needed to know about Scandinavian figure carving and relief carving. I understood that these men had the reputations of being teachers of teachers. So I took a week-long class with Harley Refsal at Fletcher Farms, Vermont, to learn flat-plane figure carving, and then two weekend sessions with Hans Sandom in Yorktown Heights, New York, to learn acanthus carving. The skills that I learned from these men have greatly influenced my work, but what has influenced my art the most is the doing of it. Every time I complete a work I get better at carving.

2008

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